VFX supervisors are in charge of the whole VFX project. They manage the VFX pipeline, including all of the VFX artists that work in this process. They have ultimate responsibility for all of the VFX elements produced for a project by their company or studio.
VFX supervisors work on a project from the early stages of preproduction. They are the main point of liaison between a VFX studio and the director or producer of the film or TV programme. Together, they decide on what VFX is needed for every shot of the film. VFX supervisors then work with the VFX artists to create prototype materials to present. These can include concept art and 3D computer-generated images (CG). The prototype materials help to inform the style of the VFX in the production.
VFX supervisors are present for filming during production so that they can see if the shots are satisfactory and ready for the VFX elements. VFX studios prefer if shots (pictures) are ‘locked’ (edited and okayed, ready to have VFX elements added to it) during filming. That means they can start working on the VFX while the rest of the film is being shot.
VFX supervisors continue to lead their team when the film is being put together during post-production. They oversee the quality of all work produced and make sure that it is in line with the vision of the director or producer. - As described on Screenskills
I am proud to have successfully supervised over 20 productions. Throughout my career, I’ve had the privilege of working alongside some of the industry's most skilled craftsmen, such as Craig Barron of Matte World Digital. I observed how he meticulously noted even the smallest details and carefully cataloged them for future use. His constant, almost machine-like focus and thoughtful approach on set were inspiring. He struck a balance—serious yet approachable, calm yet intense—and I strive to embody even a fraction of his qualities on every set I work on.
While I may never be Craig Barron, Doug Trumbull, or John Knoll, I am deeply committed to studying their methods, strategies, and ways of thinking. Over the past 15 years, I have applied those insights, even on a smaller scale, to the projects I’ve had the good fortune to be part of.
I know how to effectively guide your project, ensuring we can make the most of what’s shot while staying within budget. I pride myself on being flexible and attentive, adapting to each project's unique challenges. From start to finish, you can rely on my experience to keep your project on track and deliver the results you need.
